Category Archives: Writing Careers

New Poems to Read and Poets to Follow

Looking for fresh poetry to read or to share with others? Of course, give these new faces credit. They’ve worked hard, as poets do. Support emerging poets and get to know them before everyone else does.

Jean Bansemer

We’re listing poets in alphabetical order. Jean rediscovered poetry during the 2020 pandemic and has since written two books about life in America as a wife, mother, and business woman. Preview her work and get to know her on Twitter, Facebook, or Goodreads. “His Uniforms,” is from her latest book and is a sentimental poem– a tear-jerker for Memorial Day, Veteran’s Day, July 4, military graduations or at graduations, in general. It appears in Along Came 22: Poems and Short Stories about Love, War, and Silliness.

Victoria Chang

She’s not exactly new to poetry, but her book, The Trees Witness Everything was published by Copper Canyon Press and Corsair Books in the U.K. in 2022. Follow her on Twitter and enjoy her simple, but powerful expressions!

Stephanie Niu

Fall into images of water and life flowing symbiotically. Niu’s chapbook She Has Dreamt Again of Water came out in March 2022 and has already won a couple prizes. Water Dreams will take you away. Reach out to Stephanie on Twitter.

Water Dreams

In the dream there is a whale shark. I hold her fin, and we quietly agree where to go. The water is not cold. Then I swim breast stroke in the living room,the couch falling away below. My mother says water dreamsare auspicious. That night she dreamed of slaying a snake, cutting its long body like a carrot. I feel her pride for me swell, even at this. The lucky animals migrating from her dreams to mine. Her relief that I can conjure, even in sleep, what she cannot give me—good rest, good luck, an ocean to dream in. But she is always swelling. She is always in motion, urgent for something she cannot name. Can she call it superstition when it uncovers the truth of her marriage. When she dreams of a bodytucked into a closet the night of her second miscarriage. For her, there is no difference between what you controland sleep. There is no split, a real self and a dream selfto divide neatly. There are just dreams.

Stephanie Johnson

Stephanie considers herself an “Expat. Repat. Poet. Associate Editor http://novelslices.com. Always pulled between the US, Istanbul and Sydney. Incurable science fiction fan. T1D.” Her poems range from discussions of diabetes, aging, traveling, and cultural values. You’ll find Stephanie and several of her poems on Instagram and Twitter.

Ada Limón

Ada’s work can be found on Amazon’s best seller list for poetry. She’s an established writer whose new book, The Hurting Kind, celebrates birds and life. Her words are as light as a sparrow’s wings and you can, of course, reach her via a tweet.

Eliana Tanjung

From Indonesia, Eliana explores the meaning behind human existence. Peruse her work on her website or follow her on Twitter. Her latest collection is comprised of 13 poems about her childhood. In this poem inquiring about life she writes:

Life

Oh life,
Why so confident
Your ways
Emotionless
Heartless
Tossed me around
When I never ask to
You give me a riddle
In a language
As foreign as silence
How am I supposed
To find the answer
But to bask
In the wavering
Of your presence

John Roedel

Comedian and writer, John Roedel, shares bits of his soul in his latest book, Upon Departure, which explores grief after a loved one departs. He’s there for you on Twitter and Facebook. Here’s one of his poems of inspiration:

after you survive

your storm

become a lighthouse

your scars are

meant to burn so bright

that it will help a person

lost at sea find the shore

every wound you carry

has a 1000 watt bulb inside

of it

that will preach the gospel

of the coming dawn one

burst of daybreak at a time

it’s the circle

of survival

you have endured

to help others endure

you have outlasted the dark

to become a disciple of light

this is your calling now

to plant your feet

in the same shore

you washed up on

my love,

ignite

Ocean Vuong

Loss and grief abounds in the pandemic era. Ocean Vuong lost his own mother to breast cancer in 2019, just before the pandemic. His latest literary feat of 28 poems explores loss and continuing. Time Is A Mother is already a new, best seller. If you’re an aspiring poet, take a class with him through the MFA program at The University of Massachusetts at Amherst.

DEAR ROSE

if you’re reading this then you survived
my life into this one this one with
my name crossed out then found
halfway in your mouth if you’re reading this
then the bullet does not know you
yet but I know mom you can’t
read napalm fallen on your schoolhouse
at six & that was it they say

a word is only what it signifies
that’s how I know the arrow
-head in my back means
I’m beautiful a word like bullet
hovers in an amber afternoon on its way
to meaning the book opens like a door
but the only one you ever read
was a coffin its hinges swung

shut on lush descriptions
of a brother & the bullet still
the fastest finger pointing
to life I point to you to me to
-day a Thursday I took a long walk
alone it didn’t work kept stopping
to touch my shadow just in case
feeling is the only truth

I’m capable of & there down
there between thumb & forefinger
an ant racing in circles then zigzags
I wanted significance but think
it was just the load he was bearing
that unhinged him: another ant
curled & cold lifted on
his shoulders they looked like a set

of quotations missing speech it’s said
they can carry over 5,000x their mass
but it’s often bread crumbs
not brothers that get carried
home but maybe going too far
is to admit the day ends anywhere
but here no no mom this
is your name I say pointing

to Hong on the birth certificate thin
as dust Hong I say which means
rose I place your finger on a flower so
familiar it’s almost synthetic red
plastic petals dewed with glue I leave
it out of my poems I turn from
its face — clichéd oversized
head frayed at the edges

like something ruptured
by a bullet seeking language
a kind of person which is to say
I was born because you
were starving but how can anything
be found with only two hands
with only two hands you dumped
a garbage bag of anchovies into the glass jar

the day was harmless a breeze hovering
in amber light above us gray
New England branches swayed without
touching to make fish sauce you said
you must bear the scent of its corpses
salted & crushed a year in a jar tall
as a boy they dropped with slick
thumps like bullets each word must stop

somewhere — why not a yellow
poet I put in the fish sauce I take out
the fish sauce I dance
on the line until I am the line
they cross or cross
out they nearly killed me
you said for being white
with a toilet plunger you pushed the fish

down sound of bones like gravel
the violet vein on your wrist glistened
your father was a white soldier
I had amber hair you said they called me
traitor called me ghost
girl they smeared my face with cow shit
at the market to make me brown
like you & your father the eyes glared

from inside the jar they shot
my brother you said looking down
but away from the dead
eyes my little brother
if reading is to live
in two worlds at once why
is he not here my friend said you can do
anything in a poem

so I stepped right out of it
to be entered is to be re
-defined the bullet achieves its name
by pushing the body into itself flesh
refugeed into flesh I was struck
by these words we say I was struck by
this passage it moved right through
opened me up these eyes reading

not yet closed not yet healed
shut am full of leaden meaning which parts
a red sea inside me sinew dusted to soft tissue
my blood a borderless translation
of errors in the reader’s
hands a gaping rose which is
your name Hong I say which also means
pink the shade every bullet meets

before finding its truest self Calvino said
human instinct is to laugh
when someone falls the soldiers
were cracking up as they fired
your brother running his sky
-blue shirt pink on the ground
our evolution as hunters Calvino went on
the collapsed body a signal

of meat thus hunger
leads to lethal
joy it’s almost perfect
you smiled your nose deep
in the jar as if to be hunted
is to finally be seen alive briefly
as if the bullet makes you real
by making you less

which is perfect
in poems the text
amplified by murder
-ous deletions
leads to inevitable
art the pristine prisoner
in his marble coffin the length
of a fish is a timeline

across the page to document days
the dead a measurement
of living distance
the body blooming
as it decays Pink
Rose Hong Mom
are you reading this dear
reader are you my mom

is she in language I cannot
find her without you this world
I’ve made you cannot enter within months
their meat will melt into brown
mucus rot almost-sauce the linear
fish-spine dissolved by time
at last pungent scent of ghosts you said
you named me after a body

of water cause it’s the largest thing you knew
after god I stare at the silvered layers
the shadowed line between two pressed fish
is a finger in the dark gently
remembered in the dark his finger
on my lips mom his shh
your friend the man watching me
while you worked the late

shift in the Timex clock factory why
am I thinking this now the gasped mouths
mottled pocked fins gently the door its blade
of amber light widening as it opened
shh it sounds like an animal
being drowned as you churned
the jar your yellow-white arms pink
fish guts foaming up gently you must

remember gently the man he’s in
the past now his face a black rose
closing do you know
what it’s like baby my baby
boy you said sweating above the jar
to be the only one hated the only
one the white enemy of your own
country your own

face the trees they were roaring
above us red leaves leaving little cuts
in the sky gently I touched
your elbow the fish swirling
in their gone merry-go-round
sightless eyes no no mom I said
holding my breath I don’t know
what it’s like & turned

my head up toward the sun
which brightly cancels
if you’re reading this then
I survived my life into yours
you who told your brother you were hungry
so he stole a roasted chicken
so he tucked it under his sky
-blue shirt & it’s not

your fault reader you had
to work you had to get up
in the blood-blue dawn to warm
up your car you who held
instant coffee with both hands
ate your lunch of Wonder Bread dipped
in condensed milk in the parking lot
alone you bought me pencils reader I could

not speak so I wrote myself into
silence where I stood waiting for you mom
to read me do you read me now do you
copy mayday mayday you who dreamed
of dipping shreds of chicken
into fish sauce as you hid in the caves
above your village you white
devil girl starving ghost

but I shouldn’t have been so
hungry you said looking up
at the leaves vermilion through the brother
-blue sky I hated my hunger the veins
on your fists the jar all amber crush
empty as a word
-less mind stop writing
about your mother they said

but I can never take out
the rose it blooms back as my own
pink mouth but how
can I tell you this when you’re always
to the right of meaning
as it pushes you further into white
space how can I say the hole
in your brother’s back is not

a part of your brother but your brother
aparted who is still somewhere
running because I wrote it
in the present tense the bullet held
just behind his death an insect
trapped in amber the charred
chicken clutched to his chest dust
rising from sandals

as he sprints toward the future
where you’re waiting by the rain
-warped window wet footsteps
on Risley Rd but dear reader
it’s only your son coming home
again after school after
the bullies put his face in brown
dirt what if I said the fastest

finger pointing to you Ma
is me would you look away
I point to you no no I went right
through you left a pink rose blazing
in the middle of the hospital
in Sai Gon reader who
cannot read
or write you wrote a son

into the world with no
words but a syllable so much
like a bullet its heat fills you
today a Thursday
(ours not Vallejo’s) partly cloudy a little
winded I kneel to write
our names on the sidewalk & wait
for the letters to signal

a future an arrow pointing to
a way out I stare & stare
until it grows too dark to read the ant
& his brother long
home by now night flooding
the concrete black my arms dim
as incomplete sentences
reader I’ve plagiarized

my life to give you the best
of me the rest in the blankest
margins & these words these
insects anchovies bullets salvaged
& exiled by art mom my art these corpses
I lay side by side on the page to tell you
our present tense was not too late

Share Your Favorite Poems and Poets of 2022

Which poems inspire you, speak to you, reach you? Share them with us in the below comments.

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How to Apply for Media Entry at Conferences and Events

Writers, did you know that you can scoop great industry stories at conferences just by asking conference coordinators for media passes?photo (20)

Visit Your Favorite Conference for the Price of a Story

In most cases, you’ll need to be a staff writer, videographer, or photographer for a credible news organization, blog, or online journal.  Even freelance writers selling stories to publications, magazines, or newspapers can qualify.

About IRCE Media Badges

Maura Bruton, Internet Retailer Press Assistant, says that you need to be a writer

“for a publication, as far as whether that’s a blog or whatever, we are looking for people who are coming to cover the show or the exhibitors.  Sometimes people are looking for a press badge in more of a sales capacity and those people do not get press badges.”

IRCE is a great show to cover topics in e-commerce, selling b-to-b, or technology. Bruton adds,

“There are a lot of stories here.  There are a lot of spokespeople, whether for companies, keynotes, speakers, or presenters.”

If the journalist asks for assistance, IRCE will provide images and arrange interviews with speakers.  Quite often speakers and companies hunt down the press at the show for free coverage.

photo (19)Credit, of course, must be given to the show and speakers for images, videos, and quotes.  IRCE offers a full-service press room during the show, coordination with speakers prior to the show, press releases, and a complimentary conference badge. The press can take pictures and videos, if speakers approve, but press tags must accompany cameras.  Online credit should be linked back to the IRCE website.

To apply for a press badge for an IRCE event, go to IRCE.com and contact the press coordinators.  They’ll review your application and get in contact with you. Bruton suggests looking at IR Events Group to find shows that fit your upcoming conference calendar.

The Perks of Writing

Even if technology isn’t your beat, many other conferences and events provide free entry to members of the press in exchange for your content creation and distribution.

Hey, you could even go to Disney World for two days on a Hopper Pass if you can prove that you write for a travel blog or are affiliated with an established news organization.  Live in New York?  Start planning your Macy’s Day parade coverage by applying for a New York press pass.

If you write for a living (or just for the fun of it), go find budding stories in your interest areas by attending conferences and special events.

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Fifteen Dos and Don’ts when Writing for Children- Recap of Jesse Florea’s Session at Write-to-Publish 2014

Some have a heart for children- others a heart for writing.  Marry the two and the world will change.

I had the pleasure of meeting with Clubhouse Magazine’s editor, Jesse Florea, at Write-to-Publish in Wheaton, IL.  He was at the conference looking for great stories for Focus on the Family and he presented a session on how to write for children. He’s also the author of several books for kids and their parents.

Who Is Generation Z, The Homeland Generation?

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Copyright My Web Writers

Generation Z was born between 1995 and 2005.  They’re known as the “Silent Generation”, “Homeland Generation,” or the “Net Generation” because they’ve grown up with the Internet. They were born after the September 11, 2001 terrorist attacks when many felt safer staying at home. William Strauss and Neil Howe describe this group as “highly connected” and media technology savvy because they are “digital natives.”  During a naming contest sponsored by Neil Howe’s company website, Homeland Generation was the name chosen by the site’s voters to represent this generation.

Florea says,

“They’re self-directed. Parents no longer over-schedule their children like they did five years ago.  There’s a little more free time for this generation, which is good because they have time to be creative, but the bad part is that they have this technology and when you have technology and time, they can get into trouble with the technology rather easily.”

According to NC State University:

“Such connectedness has a dark side, however, contributing to a sedentary lifestyle and skyrocketing rates of obesity. This generation may live shorter, less healthy lives than their parents despite the medical advances of the last twenty years. Of 100 Generation Z kids, 47 will be obese by the time they reach adulthood.”

Florea says,

“Basically, that’s because they don’t have to go outside to be entertained. All the entertainment they need is at their fingertips with a gaming console or they can talk to their friends through any different type of social media. They don’t need to get outside to get together.”

In 2011, Grail Research provided a fascinating look into this next generation by comparing the relationship of Boomer parents to their children verses Generation X parents to their Generation Z children.  Fundamentally the differences lie in the comfort with technology that Generation X shares with its children. There is an increasing overlap between Generations X, Y, and Z and their channels of entertainment, technology, brand experiences, and family values.

“Generation X is raising Generation Z with a high involvement parenting style. Generation X saw a social trend of divorces and is expected to instill stronger family values, along with ‘old’ notions such as work ethic, etiquette, and resilience. This, along with better education, will make Generation Z more tolerant, respectful, and responsible.”

The Homeland Generation might be more financially conservative, too. Florea says,

“Generation Z is saving their money.” Also, “This generation identifies itself more as individuals, than as a team…Sort of like Generation X…They believe in their own character and they believe they have their own persona.  Generation Z doesn’t believe in getting agreement or living by social norms.  Their society exists on the Internet where they speak out their minds and express their opinions.”

 

15 Dos and Don’ts When Writing for Kids

To kick off his session, Florea asked, “How would you describe children?”  Words like “rambunctious”, “messy”, “innocent”, and “smart” quickly filled the room from the audience.

Florea mentioned, “We want all of that in your writing. I’ve been at Focus on the Family for twenty-one years.  You know of Dr. Dobson.  He wrote a lot of books.  A lot of dos and don’ts.  Having boundaries, having parameters can really help, so that’s how this workshop started. I’m going to share about 15 or 16 dos and don’ts” when writing for kids.

  1. Don’t underestimate your audience. 

    “Kids are thinking, feeling and smart human beings.  They just lack life experience and the wisdom we can share with them as writers. Don’t doubt a child’s ability to understand concepts and accomplish great things. Generation Z is a smart generation because they have at their fingertips, all the information in the world.”

    Clubhouse Magazine particularly likes to feature ordinary kids performing extraordinary feats. Challenge kids with your writing. Kids know that things aren’t always perfect. You can’t shelter these kids, there’s just too much readily accessible information. Don’t shy away from writing stories about kids in single parent homes, with special needs, or whose families are in financial duress.

  1. Challenge kids spiritually. Years ago, Clubhouse Magazine received a letter saying that it was “boring.” Florea took the letter, published it, and asked, “Okay, readers are we boring?” He received close to 500 responses.  One of the common threads through all of them was that kids want to be spiritually challenged. They don’t just want to hear a Bible story.  They want to see its application.
  1. Do get into a child’s mind. Know their interests.  What makes them tick?  What do their parents want them to learn? This is important because parents are the ones buying the magazines.  Spend time with kids and know what they’re studying in school.
  1. Do work on a gripping opening. Capture their attention within the first three sentences.  You have to have a good hook.
  1. Do use vibrant, active verbs.  Kids need action.  The story needs to move. Show the action, don’t tell it. A Wheaton professor of Florea’s used to say, “There’s always a better way to start a story than with ‘it’ or ‘there’.” As soon as you start with it or there, you’re using passive voice. When editing copy, Florea seeks out and circles it, there, was, is, and were and reconsiders what these words add to each sentence.
  1.  Don’t go adjective crazy. “One well-chosen adjective is better than three adjectives strung together. Adjectives slow down your writing, while verbs keep up the pacing and make everything go faster.” Also, when using dialogue, just use said. “Said” is an invisible word that people read through.  If you go for fancier words like “chortle” or “mused”, you’ll stop the narrative. The person reading will stop and think, “Oh, why are they using that word?”
  1. Do use interesting and realistic dialogue.  Don’t try to use the cute catch phrases that the kids are using today because those words may be out of style by the time the article or book is published.  Florea looks for stories with active verbs, compelling dialogue, and believable characters.
  1. Show the action. 
  1. Do use humor. People retain 80% more when they’re laughing. To achieve humor you can use repetition, switches, exaggeration, extremes, and word plays.
  1. Don’t wrap up your story in a nice, little bow. Kids know that’s not how the world works. Be honest.  Former IU professor, Peter Jacobi, once said “The ending should leave the reader with satisfaction tinged with dissatisfaction.” Do leave readers with a nugget of truth. From age five on, children are able to relate to stories in characters just like adults. A value development specialist, who once visited Focus on the Family, said that “by age ten, right and wrong are locked in for a child.”
  1. Edit your copy.  Some professional writers work through up to thirty revisions before sending in a story. Cut the fat. Stay away from clichés.
  1. Do be creative. Don’t copy the world.
  1. Know industry trends. Go for “edu-tainment” (educate and entertain), which is like writing a chocolate bar packed with a vitamin. Watch movie trailers to see what will be big when each movie comes out the next year.
  1. Do write compelling characters. Write characters that are going through a lot of things. Also, don’t have the adults solve the problems.  Let the kids solve the issues without preaching from the adult characters.
  1. Do be yourself.  Kids can spot a phony a mile away.

 

Next June, make a point of visiting the Write-to-Publish conference in Wheaton.  The people are welcoming and you may soon find that you’ve developed relationships with mentors and fellow writers who will guide you throughout your career.  Meet one-on-one with acquisition editors and publishers, while also absorbing valuable insights and industry trends.  We especially thank Jesse Florea for sharing his expertise in children’s publishing with My Web Writers’ readers!

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One Cannot Not Communicate- Is Silence Golden?

Maybe Mom Wasn’t Always Right

The first of Paul Watzlawick’s five axioms is simple- “One Cannot Not Communicate.” Wanterfall says,

Even when you think you are not sending any messages, that absence of messages is quite evident to any observer, and can itself constitute quite a significant message. Not only that, but we usually transmit quite a few non-verbal messages unconsciously, even when we think we are not sending any messages at all.

What do you, as a professional, communicate when you choose not to communicate?

Photo courtesy of Bonoz

Photo courtesy of Bonoz

Perhaps your mother used to say, “if you can’t say anything nice, don’t say anything at all.” When your new friend with long, braided hair entered your home, she bit her tongue.

Did her silence mean, “I wouldn’t let my son wear his hair that long, but since I have no association beyond his association with you, I’ll make you feel comfortable enough without offering approval?” Her tongue biting left wiggle room- both for your friend’s eventual haircut and her possible opinion change.

While the intent behind silence might be noble, its very form is deceiving – a mask for a mix of thoughts and emotions forming in the sender or else a sign of ignorance. Silence is golden because it buys the sender time and it offers the receiver little information- or so is the hope.

What are the Effects of Non-Responses in Digital Communications? 

One cannot not communicate with social media. Not following a customer or fan on Twitter or G+, for example, could be construed as a slight. You’re too busy, too important, to ignorant to use the tools to follow and interact. Not having your social media in order says a lot about the organization behind your organization. Your brand communicates that it does’t embrace or understand the mediums or struggles to find funds. The receiver never really knows why you’re silent- just that you are and the resulting message is up for interpretation.

Internet marketer, Jay Baer, suggests:

Further, 42% expect a response within 60 minutes. Is your company prepared to handle social media inquiries within the hour? A few are. Most are not, in my experience, which potentially creates a disillusionment gap between customers’ anticipated response time, and your actual ability to provide a response.

Having a workforce to handle your social media interactions could be just what you need to reduce the stress in your customer service department.

One cannot not communicate with blogs. You haven’t written a blog post in weeks. Maybe there isn’t a lot happening in your company or industry – yeah right. You’re too busy, too underfunded, too unorganized. You were in the hospital. Whatever the reason, a lack of action or words communicates a message. Is it the message you want your fans to receive?

Darren Rouse looks at blogging this way:

The more posts you publish over time, the more doorways you present readers with to enter your blog.

1 post a week means you’ve got 52 doorways at the end of the year – daily posts means 365 doorways at the end of the year. This means people are more likely to see your content in RSS readers, in search engines, on social media etc. Over time this adds up.

Contracting out some of your brand’s writing work to writers can keep opening doors verses closing them in silence.

One cannot not communicate with correspondences. Two candidates fly out to your company for second interviews. You extend an offer to one. The chosen candidate receives your full attention. The other doesn’t. The one who didn’t get the job sends an email to you. No reply. This happens once. Twice. Three times. Surely, not communicating is a soft let down, right?  According to Career Builder,

56 percent of employers admitted that they don’t respond to all candidates or acknowledge receipt of their applications; 33 percent said they don’t follow up with candidates they interviewed with to let them know they didn’t get the job.

What does a lack of response communicate? That from the top down, your company’s communication process isn’t clear or even rude when not in need of a person, service, or product. It communicates disorganization and incompetency in the HR department. Don’t think for a moment that the candidate won’t remember the lack of communication when they’re in a better position.  According to the HT Group:

If you’re guilty of this and other bad hiring habits, beware your actions could complicate your recruiting efforts and even damage your company’s overall reputation. Here’s how (according to the same study):

  • Job seekers who don’t hear back after applying for a job are less likely to continue buying products or services from that company.
  • Did a job seeker have a bad experience with you? Half will tell their friends about it.
  • An overwhelming 75 percent of job seekers use traditional networking such as word-of-mouth to gather more information about a company.
  • More than 60 percent will check out your company on social media to find out if what you’re telling them about your culture is true.
  • More than two-thirds of job seekers would accept a lower salary if the company had exceptionally positive reviews online.

One cannot not communicate. What are the unintended messages you send just by choosing inaction or silence with your digital marketing strategies or relationships? From creating blog posts and social media posts to staying up with emails and correspondences silence is not usually golden.  Rethink if you’re clearly, consistently, and honestly, as well as tactfully communicating.

 

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